My work often circles around themes of spiritual seeking, divine nature, and the 21st Century human
experience—these are subjects I find ineffable and infinitely interesting. Symbolic narratives overlay my primary
choice of subject matter—the portrait—and approach a form of imaginative realism. My subjects often gaze
directly out of the picture plane in my attempt to give both agency to the subject and invitation to the viewer.

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Of my many art history influences, medieval art currently informs my work most heavily. I am drawn to its
mystical narratives, bold colors, uncanny architecture, and symbolic storytelling. I cite some medieval work
as a means of feeling directly linked to artists of the past. 

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My process echoes lessons learned from contemporary masters of classical realism as I choose for my work to
rely on the pursuit of craft, technical skill, and beauty.